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Shave and a Haircut, and the associated response, "two bits", is a simple (7 or 8 note) musical couplet sometimes used at the end of a musical performance (or, much less often, at the beginning). The seven-note variant could be considered the world's shortest complete song, having an introduction (one note), a question (two notes), a response (two more notes), and a conclusion (the final two notes).
HistoryThe first known occurrence of the tune is from an 1899 Charles Hale song, "At a Darktown Cakewalk." Other songs from the same period also used the tune. In 1939, Dan Shapiro, Lestor Lee and Milton Berle released "Shave and a Haircut—Shampoo" which featured the tune in the closing bars, and is thought to be the origin of the lyrics. Over time the phrase has permutated through several variations. (For example, the A-flat is often replaced by an A-natural.)citation needed PopularityThe popularity of the short tune is extremely widespread, though its title is much less well-known. The tune has been used innumerable times as a "wrap-up" in musical pieces performed through the years. In a Far Side cartoon, a conductor tells the orchestra: "All right, I don't know who's doing it, but in the concert we will NOT be concluding the symphony with Shave and a Haircut!" (In another Gary Larson cartoon, two fedora-wearing gangsters are being led away by the police. One grumbles, "I knew Shave and a Haircut was a lousy secret knock!") The tune is strongly associated with the stringed instruments of bluegrass music, particularly the 5-string banjo. Earl Scruggs often ended a song with this phrase or a variation of it. On the television show The Beverly Hillbillies, musical cues signifying the coming of a commercial break (cues which were in bluegrass style) frequently ended with "Shave and a Haircut." There are either 7 or 8 notes, depending on whether the 3rd note, the F-sharp, is used. When it is used, the 2nd, 3rd, and 4th notes become a triplet, as in the West Side Story example below. Also included are the notes based on the sheet music shown above:
An early recording used the 7-note tune at both the beginning and the ending of a humorous 1915 song, by Billy Murray and the American Quartet, called "On the 5:15". Dave Brubeck's "Unsquare Dance" not only incorporates the phrase into the song's unorthodox 7/8 time signature, but includes a little musical twist by inserting it twice in rapid succession, taking advantage of the fact that it begins and ends on the same note. A few other notable examples include:
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