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Paul Motian

Background information
Birth name Paul Motian
Born 25 March 1931 (1931-03-25) (age 77)
Origin Philadelphia, Pennsylvania
Occupation(s) Drummer
Composer
Instrument(s) drums
percussion
Associated acts Bill Frisell
Joe Lovano

Stephen Paul Motian[1] (born 25 March 1931 in Philadelphia, Pennsylvania and raised in Providence, Rhode Island), is an American jazz drummer, percussionist and composer.

First coming to prominence in the late '50s with the pioneering trio of pianist Bill Evans, Motian has since worked in an array of contexts, and has led a number of groups. He is one of the most influential modern drummers, having played an important role in freeing the drummer from strict time-keeping duties.

Contents

Biography

After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy, which he left at the age of 24.

Motian has been a professional musician since 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans's trio (1959-64), initially alongside bassist Scott LaFaro and later Chuck Israels.

Subsequently he has played with pianists Paul Bley (1963-4) and Keith Jarrett (1967-76). Other musicians who Motian performed and/or recorded with in the early period of his career include Lennie Tristano, Warne Marsh, Thelonious Monk, Joe Castro (musician), Arlo Guthrie (Motian performed briefly with Guthrie in 1968-69, and even performed with the singer at Woodstock), Carla Bley, Charlie Haden, and Don Cherry. As his career has continued, Motian has appeared with musicians such as Marilyn Crispell, Bill Frisell, Leni Stern, Joe Lovano, Alan Pasqua, Lee Konitz, Wolfgang Muthspiel, Bill McHenry, Stephane Oliva, and many more.

Motian has also become an important composer and band-leader, recording initially for ECM Records in the 1970s and early 1980s and subsequently for Soul Note Records, JMT Records, and Winter & Winter Records, before returning to ECM in 2006. Since the early 1980s he has led a trio featuring guitarist Bill Frisell and saxophonist Joe Lovano, occasionally joined by bassists Ed Schuller, Charlie Haden or Marc Johnson, and other musicians, including Jim Pepper, Lee Konitz, Dewey Redman and Geri Allen. In addition to playing Motian's compositions, the group has recorded tributes to Thelonious Monk and Bill Evans, and a series of Paul Motian on Broadway albums, featuring original interpretations of standard tunes.

Despite his important associations with pianists, Motian's work as a leader since the 1970s has been noteworthy for rarely including piano in his ensembles, and relying heavily on guitar. Motian's first instrument was the guitar, and he seems to have retained an affinity for the instrument: in addition to his groups with Frisell, his first two solo albums on ECM featured Sam Brown, and he leads the Electric Bebop Band, which features two and sometimes three electric guitars. The group was founded in the early 1990s, and has featured a variety of young guitar and saxophone players, in addition to electric bass and Motian's drums, including saxophonists Joshua Redman, Chris Potter, Chris Cheek, Tony Malaby, and guitarists Kurt Rosenwinkel, Brad Shepik, Wolfgang Muthspiel, Steve Cardenas, Ben Monder, and Jakob Bro.

Selected discography

As a leader

With Joe Lovano and Bill Frisell

With the Electric Bebop Band

With Bill Evans

With Charlie Haden

  • Liberation Music Orchestra (1969)
  • Ballad of the Fallen (1980)
  • Dream Keeper (1989)
  • Etudes (1986) with Geri Allen & Charlie Haden
  • Segments (1987) with Geri Allen & Charlie Haden
  • Live at the Village Vanguard with Geri Allen & Charlie Haden
  • The Montreal Tapes with Geri Allen & Charlie Haden
  • The Montreal Tapes with Paul Bley & Charlie Haden
  • The Montreal Tapes with Gonzalo Rubacabo & Charlie Haden
  • The Montreal Tapes with Music Liberation Orchestra

With Keith Jarrett

  • Life Between The Exit Signs (1967)
  • Somewhere Before (1969)
  • Expectations (1972)
  • The Mourning of a Star (1973)
  • Fort Yawuh (1973)
  • Treasure Island (1974)
  • Backhand (1974)
  • Death and the Flower (1974)
  • El Juicio (1975)
  • Shades (1975)
  • The Survivor's Suite (1976)
  • Bop-Be (1976)
  • At the Deer Head Inn (1992)

With Pierre Favre

With Paul Bley

  • with Gary Peacock ECM
  • Fragments ECM with Bill Frisell and John Surman
  • The Paul Bley Quartet with Bill Frisell and John Surman
  • Notes Soul Note
  • Memoirs Soul Note with Charlie Haden
  • Zen Palace Transheart with Steve Swallow
  • Not two, not one ECM with Gary Peacock

With Bill McHenry

With Steve Swallow, Gil Goldstein and Pietro Tonolo

With Jacob Sacks, Eivind Opsvik and Mat Maneri

Footnotes

  1. ^ His surname is Armenian, and is often mispronounced "Moe-tee-un;" however, Paul Motian pronounces it "MO-shun."[1]
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