This list is by no means complete. Only composers of significant fame and importance are included. The most influential composers are listed in bold type (loosely defined as those with at least 10 recordings). The style of the composer's music is given where possible, bearing in mind that some defy simple classification.
See also List of 20th century classical composers by death date and List of 21st century classical composers by birth date.
1850s
1860s
1870s
1880s
| Name |
Years |
Nationality |
Notable works |
Remarks |
| Ernest Bloch |
1880–1959 |
Swiss |
Schelomo; Suite hébraïque |
|
| Nikolay Medtner |
1880–1951 |
Russian |
3 piano concertos |
Romanticism |
| Ildebrando Pizzetti |
1880–1968 |
Italian |
|
|
| Béla Bartók |
1881–1945 |
Hungarian |
Concerto for Orchestra; The Miraculous Mandarin; Piano Concerto No. 3; Viola Concerto; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion |
Neo-classicism, folk-influenced |
| George Enescu |
1881–1955 |
Romanian |
Romanian Rhapsody No. 1, Sonata no. 3 for Violin and Piano ("In the Romanian Popular Style"), Oedip |
folk-influenced; father of Romanian classical music |
| Jan van Gilse |
1881–1944 |
Dutch |
Thijl, 5 symphonies |
|
| Nikolay Myaskovsky |
1881–1950 |
Russian |
27 symphonies |
Romanticism; father of the Russian symphony |
| Mykola Roslavets |
1881–1944 |
Russian |
|
|
| Percy Grainger |
1882–1961 |
Australian |
Country Gardens, Irish Tune from County Derry, Lincolnshire Posy |
folksong-influenced, mostly piano solo & wind band |
| Zoltán Kodály |
1882–1967 |
Hungarian |
Háry János; Dances of Galanta |
folk-influenced |
| Gian Francesco Malipiero |
1882–1973 |
Italian |
11 symphonies |
|
| Geoffrey O'Hara |
1882–1967 |
Canadian |
|
|
| Manuel Maria Ponce |
1882–1948 |
Mexican |
|
|
| Igor Stravinsky |
1882–1971 |
Russian |
The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments |
Neo-classicism, Neo-Baroque, later Serialism |
| Karol Szymanowski |
1882–1937 |
Polish |
Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 |
Impressionism, later folk-influenced |
| Joaquin Turina |
1882–1949 |
Spanish |
|
|
| Arnold Bax |
1883–1953 |
British |
Symphony No. 2, No. 3, and No. 6; Tintagel |
Romanticism, Impressionism |
| Alfredo Casella |
1883–1947 |
Italian |
|
|
| George Dyson |
1883–1964 |
British |
Symphony in G major |
|
| Manolis Kalomiris |
1883–1962 |
Greek |
|
|
| Edgard Varèse |
1883–1965 |
French |
Amériques; Ionisation; Arcana; Density 21.5 |
Musique concrète, Electronic music |
| Anton Webern |
1883–1945 |
Austrian |
Symphony; Passacaglia; Six Pieces for Orchestra |
Serialism; pupil of Arnold Schoenberg |
| Charles Griffes |
1884–1920 |
American |
|
impressionism |
| Louis Gruenberg |
1884–1964 |
Russian |
Violin Concerto; 5 symphonies |
|
| Ture Rangström |
1884–1947 |
Swedish |
4 symphonies; 3 operas |
|
| Alban Berg |
1885–1935 |
Austrian |
Violin Concerto; Wozzeck; Lyric Suite |
Serialism, Romanticism; pupil of Arnold Schoenberg |
| George Butterworth |
1885–1916 |
British |
|
|
| Wallingford Riegger |
1885–1961 |
American |
|
|
| Egon Wellesz |
1885–1974 |
Austrian |
9 symphonies |
|
| Marcel Dupré |
1886–1971 |
French |
organ music |
|
| Jesus Guridi |
1886–1961 |
Spanish |
Sinfonia pirenaica |
|
| Othmar Schoeck |
1886–1957 |
Swiss |
|
|
| Kurt Atterberg |
1887–1974 |
Swedish |
Symphony No. 6: Dollarsymphony |
|
| Nadia Boulanger |
1887–1979 |
French |
|
mentor of many composers |
| Leevi Madetoja |
1887–1947 |
Finnish |
|
|
| Ernst Toch |
1887–1964 |
German |
7 symphonies |
|
| Heitor Villa-Lobos |
1887–1959 |
Brazilian |
Bachianas brasileiras; guitar music |
Neo-classicism, folk-influenced |
| Matthijs Vermeulen |
1888–1967 |
Dutch |
7 symphonies |
|
| Vladimir Shcherbachov |
1889–1952 |
Russian |
|
|
1890s
| Name |
Years |
Nationality |
Notable works |
Remarks |
| Luís de Freitas Branco |
1890–1955 |
Portuguese |
4 symphonies |
|
| Jacques Ibert |
1890–1962 |
French |
Escales; Bacchanale |
neoclassicism |
| Frank Martin |
1890–1974 |
Swiss |
|
|
| Bohuslav Martinů |
1890–1959 |
Czech |
Symphony No. 3 and No. 6; Gilgamesh (oratorio); chamber music |
neoclassicism, folk-influenced |
| Gösta Nystroem |
1890–1966 |
Swedish |
|
|
| Arthur Bliss |
1891–1975 |
British |
A Colour Symphony |
|
| Marcel Grandjany |
1891–1975 |
French |
|
|
| Sergei Prokofiev |
1891–1953 |
Russian |
Romeo and Juliet (ballet); The Love for Three Oranges (opera); Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kije; 9 piano sonatas; Peter and the Wolf |
neoclassicism |
| Kaikhosru Sorabji |
1892–1988 |
British |
Opus Clavicembalisticum |
neoclassical, new age |
| Hendrik Andriessen |
1892–1981 |
Dutch |
|
father of Louis Andriessen |
| Ferde Grofé |
1892–1972 |
American |
Grand Canyon Suite |
|
| Arthur Honegger |
1892–1955 |
Swiss |
Symphony No. 3: Liturgique; Pacific 231; Les Miserables (film music) |
neoclassicism |
| Herbert Howells |
1892–1983 |
British |
Hymnus paradisi |
|
| László Lajtha |
1892–1963 |
Hungarian |
9 symphonies |
|
| Darius Milhaud |
1892–1974 |
French |
La Création du Monde; Le Bœuf sur le toit |
jazz-influenced, neoclassical |
| Hilding Rosenberg |
1892–1985 |
Swedish |
8 symphonies; Violin Concerto |
|
| Germaine Tailleferre |
1892–1983 |
French |
|
|
| Jean Absil |
1893–1974 |
Belgian |
|
|
| Arthur Benjamin |
1893–1960 |
British |
|
|
| Alois Hába |
1893–1973 |
Czech |
Matka (opera) |
microtonal |
| Rued Langgaard |
1893–1952 |
Danish |
16 symphonies |
|
| Federico Mompou |
1893–1987 |
Spanish |
piano music |
|
| Douglas Moore |
1893–1969 |
British |
|
|
| Leo Ornstein |
1893–2002 |
American |
Wild Mens Dance, Suicide in an Airplane, 5 piano sonatas, Piano Quintet, 3 String Quartets |
Avant-garde |
| Robert Russell Bennett |
1894–1981 |
British |
|
|
| Ernest John Moeran |
1894–1950 |
British |
Symphony in G minor |
folk-influenced |
| Willem Pijper |
1894–1947 |
Dutch |
3 symphonies; Six Adagios; Piano Concerto |
atonal |
| Walter Piston |
1894–1976 |
American |
The Incredible Flutist (ballet); Symphony No. 2 and No. 6 |
Neo-classicism |
| Erwin Schulhoff |
1894–1942 |
Czech |
6 symphonies |
|
| Mario Castelnuovo-Tedesco |
1895–1968 |
Italian |
guitar music |
|
| Johann Nepomuk David |
1895–1977 |
Austrian |
8 symphonies |
neoclassical |
| Paul Hindemith |
1895–1963 |
German |
Symphonic Metamorphoses on Themes of Weber; Mathis der Maler (opera); Ludus Tonalis; chamber music |
Neo-Baroque, neoclassicism |
| Gordon Jacob |
1895–1984 |
British |
|
|
| Borys Lyatoshynsky |
1895–1968 |
Ukrainian |
5 symphonies |
|
| Carl Orff |
1895–1982 |
German |
Carmina Burana |
|
| Leo Sowerby |
1895–1968 |
American |
|
|
| Roberto Gerhard |
1896–1970 |
Spanish |
4 symphonies |
|
| Howard Hanson |
1896–1981 |
American |
7 symphonies |
Romanticism |
| Roger Sessions |
1896–1985 |
American |
9 symphonies |
serialism |
| Virgil Thomson |
1896–1989 |
American |
Four Saints in Three Acts, The Mother of Us All; Louisiana Story |
folk-influenced, eclectic |
| Henry Cowell |
1897–1965 |
American |
|
eclectic, experimental |
| Erich Wolfgang Korngold |
1897–1957 |
Austrian |
Violin Concerto; film music |
|
| Quincy Porter |
1897–1966 |
American |
|
|
| Gaspar Cassado |
1897–1966 |
Spanish |
Toccata, Requiebros |
|
| Alexandre Tansman |
1897–1986 |
Polish |
|
|
| George Gershwin |
1898–1937 |
American |
Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess (opera) |
jazz-influenced |
| Roy Harris |
1898–1979 |
American |
Symphony No. 3 |
|
| Lev Knipper |
1898–1974 |
Russian |
|
|
| Vittorio Rieti |
1898–1994 |
Italian |
|
|
| Georges Auric |
1899–1983 |
French |
|
|
| Carlos Chávez |
1899–1978 |
Mexican |
6 symphonies |
folk-music influenced |
| George Frederick McKay |
1899–1970 |
American |
|
|
| Francis Poulenc |
1899–1963 |
French |
Babar the Elephant; Stabat Mater; chamber music |
neoclassicism |
| Silvestre Revueltas |
1899–1940 |
Mexican |
Sensemayá |
|
| Alexander Tcherepnin |
1899–1977 |
Russian |
|
son of Nikolai Tcherepnin |
| Randall Thompson |
1899–1984 |
American |
|
|
1900s
| Name |
Years |
Nationality |
Notable works |
Remarks |
| George Antheil |
1900-1959 |
American |
Ballet mécanique; Symphony No. 4 |
Avant-garde, later neoclassical |
| Alan Bush |
1900-1995 |
British |
|
|
| Aaron Copland |
1900-1990 |
American |
Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto |
neoclassical, olk music influence, jazz influence, early twelve-tone, later serialism |
| Uuno Klami |
1900-1961 |
Finnish |
Sea Pictures; Kalevala Suite |
|
| Ernst Krenek |
1900-1991 |
Austrian |
Jonny spielt auf, Karl V, Lamentatio Jeremiae prophetae |
neoclassical, twelve-tone, later serial, neoromantic, eclectic |
| Alexander Mosolov |
1900-1973 |
Russian |
Iron Foundry |
Avant-garde |
| Kurt Weill |
1900-1950 |
German |
Symphony No. 2; musicals |
neoclassical |
| Gerald Finzi |
1901-1956 |
British |
Cello Concerto; songs |
neoromantic |
| Joaquin Rodrigo |
1901-1999 |
Spanish |
Concierto de Aranjuez; guitar music |
neoclassical, folk music influence |
| Edmund Rubbra |
1901-1986 |
British |
11 symphonies; Violin Concerto |
|
| Henri Sauguet |
1901-1989 |
French |
4 symphonies |
|
| Henri Tomasi |
1901-1971 |
French |
|
|
| Maurice Duruflé |
1902-1986 |
French |
Requiem; organ music |
|
| Vissarion Shebalin |
1902-1963 |
Russian |
|
|
| William Walton |
1902-1983 |
British |
Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) |
avant-garde (early), neoromantic, neoclassical |
| Stefan Wolpe |
1902-1972 |
German |
|
serial |
| Lennox Berkeley |
1903-1989 |
British |
4 symphonies |
neoclassical, later serial |
| Boris Blacher |
1903-1975 |
German |
|
|
| Vernon Duke |
1903-1969 |
Russian |
|
jazz-influenced |
| Vittorio Giannini |
1903-1966 |
Italian |
|
neoclassical |
| Aram Khachaturian |
1903-1978 |
Armenian |
Gayane (ballet, contains the famous Sabre Dance); Spartacus (ballet); concertos |
|
| Ervin Nyíregyházi |
1903-1987 |
Hungarian |
|
|
| Mario Pilati |
1903-1938 |
Italian |
Piedigrotta (opera) |
|
| Luigi Dallapiccola |
1904-1975 |
Italian |
|
|
| Dmitri Kabalevsky |
1904-1987 |
Russian |
The Comedians |
|
| Goffredo Petrassi |
1904-2003 |
Italian |
|
|
| Gavriil Nikolayevich Popov |
1904-1972 |
Russian |
Chamber Symphony; Symphony No. 1 |
|
| Nikolaos Skalkottas |
1904-1949 |
Greek |
twelve-tone, folk music influence |
|
| William Alwyn |
1905-1985 |
British |
5 symphonies; Lyra Angelica; Elizabethan Dances |
neoromantic |
| Karl Amadeus Hartmann |
1905-1963 |
German |
8 symphonies |
|
| André Jolivet |
1905-1974 |
French |
|
|
| Constant Lambert |
1905-1951 |
British |
The Rio Grande |
popular music influence, jazz influence |
| Alan Rawsthorne |
1905-1971 |
British |
3 symphonies; concertos; Symphonic Studies |
neoclassical |
| Michael Tippett |
1905-1998 |
British |
The Midsummer Marriage; 4 symphonies; A Child of Our Time (oratorio) |
|
| Eduard Tubin |
1905-1982 |
Estonian |
11 symphonies |
|
| Paul Creston |
1906-1985 |
American |
6 symphonies |
[[Neoclassicism (music)|neoclassical |
| Klaus Egge |
1906-1979 |
Norwegian |
|
|
| Benjamin Frankel |
1906-1973 |
British |
|
|
| Jānis Ivanovs |
1906-1983 |
Latvian |
21 symphonies |
neoromantic |
| Elisabeth Lutyens |
1906-1983 |
British |
|
|
| Alexander Moyzes |
1906-1984 |
Slovakian |
12 symphonies |
|
| Dmitri Shostakovich |
1906-1975 |
Russian |
Symphony No. 5, No. 7, No. 9, and No. 10; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; String Quartet No. 8; Piano Quintet; Romance from The Gadfly Suite |
neoclassical, neoromantic |
| Louise Talma |
1906-1996 |
American |
|
|
| Grace Williams |
1906-1977 |
Welsh |
|
|
| Henk Badings |
1907-1987 |
Dutch |
|
|
| Camargo Guarnieri |
1907-1993 |
Brazilian |
|
|
| Elizabeth Maconchy |
1907-1994 |
British |
|
|
| Miklós Rózsa |
1907-1995 |
Hungarian |
concertos; Ben-Hur (film music); Spellbound (film music) |
folk-influenced |
| Ahmet Adnan Saygun |
1907-1991 |
Turkish |
5 symphonies |
|
| Martin Scherber |
1907-1974 |
|
|
|
| Leroy Anderson |
1908-1975 |
American |
Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols |
|
| Elliott Carter |
1908- |
American |
Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets |
neoclassical (early), modernist |
| Herman David Koppel |
1908-1998 |
Danish |
13 symphonies |
neoclassical |
| Lars-Erik Larsson |
1908-1986 |
Swedish |
3 symphonies |
|
| Olivier Messiaen |
1908-1992 |
French |
Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise (opera) |
mysticism, post-impressionist |
| Svend Erik Tarp |
1908-1994 |
Danish |
|
|
| Geirr Tveitt |
1908-1981 |
Norwegian |
6 piano concertos |
folk-influenced |
| Vagn Holmboe |
1909-1996 |
Danish |
13 symphonies |
Neo-classicism |
1910s
| Name |
Years |
Nationality |
Notable works |
Remarks |
| Samuel Barber |
1910-1981 |
American |
Adagio for Strings; Violin Concerto; Symphony in One Movement |
Romanticism |
| Rolf Liebermann |
1910-1999 |
|
|
|
| Pierre Schaeffer |
1910-1995 |
French |
|
musique concrète |
| William Schuman |
1910-1992 |
American |
Symphony No. 3 |
|
| Jehan Alain |
1911-1940 |
French |
organ music |
|
| Alan Hovhaness |
1911-2000 |
American |
more than 60 symphonies |
mysticism |
| Gian Carlo Menotti |
1911-2007 |
Italian |
operas |
|
| Allan Pettersson |
1911-1980 |
Swedish |
17 symphonies |
neo-romanticism |
| José Pablo Moncayo |
1912-1958 |
Mexican |
Huapango |
|
| John Cage |
1912-1992 |
American |
4'33"; Sonatas and Interludes |
Aleatoric music, Extended technique |
| Jean Françaix |
1912-1997 |
French |
|
|
| Peggy Glanville-Hicks |
1912–1990 |
Australian |
Etruscan Concerto; The Transposed Heads (opera); Nausicaa (opera) |
|
| Daniel Jones |
1912-1993 |
Welsh |
|
|
| Igor Markevitch |
1912-1983 |
Russian |
|
|
| Xavier Montsalvatge |
1912-2002 |
Spanish |
|
|
| Conlon Nancarrow |
1912-1997 |
American-Mexican |
|
|
| Benjamin Britten |
1913-1976 |
British |
Sinfonia da Requiem; Young Person's Guide to the Orchestra; War Requiem; Cello Symphony; Peter Grimes (opera) |
Neo-classicism |
| Morton Gould |
1913-1996 |
American |
|
|
| George Lloyd |
1913-1998 |
British |
12 symphonies |
|
| Witold Lutosławski |
1913-1994 |
Polish |
Concerto for Orchestra; Musique funebre; Jeux vénitiens; Preludes and a Fugue; Symphony No. 2 and Symphony No. 3 |
Neo-classicism, folk-influenced, later Aleatoric music |
| Maurice Ohana |
1913-1992 |
French |
|
|
| Irving Fine |
1914–1963 |
American |
|
serial |
| Wilfrid Mellers |
1914–2008 |
British |
|
|
| Andrzej Panufnik |
1914–1991 |
Polish |
10 symphonies |
|
| Harold Truscott |
1914–1992 |
|
|
|
| David Diamond |
1915–2005 |
American |
11 symphonies |
neoclassicism |
| Douglas Lilburn |
1915–2001 |
New Zealand |
3 symphonies; Aotearoa |
|
| Vincent Persichetti |
1915–1987 |
American |
|
neoclassicism |
| Milton Babbitt |
1916– |
American |
Composition for Four Instruments; six string quartets; Philomel |
serialism, electronic music |
| Henri Dutilleux |
1916– |
French |
2 symphonies; Tout un Monde Lointain; Timbres, espace, mouvement |
Neo-impressionism |
| Einar Englund |
1916–1999 |
Finnish |
Symphony No. 2 |
|
| Alberto Ginastera |
1916–1983 |
Argentine |
Panambi (ballet); Malambo; 2 piano concertos; 3 piano sonatas |
|
| Richard Arnell |
1917- |
British |
6 symphonies |
|
| John Gardner |
1917- |
British |
3 symphonies; Tomorrow Shall Be My Dancing Day |
|
| Isang Yun |
1917-1995 |
Korean |
5 symphonies |
folk-influenced |
| Lou Harrison |
1917-2003 |
American |
|
|
| Leonard Bernstein |
1918-1990 |
American |
West Side Story (musical); Candide; Serenade |
jazz and popular music influence |
| Gottfried von Einem |
1918-1996 |
Austrian |
operas |
eclectic |
| Gara Garayev |
1918-1982 |
Azerbaijani |
|
|
| George Rochberg |
1918-2005 |
American |
6 symphonies; 7 string quartets |
serialism, later neo-romanticism |
| Bernd Alois Zimmermann |
1918-1970 |
German |
Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi |
serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic |
| Jacob Avshalomov |
1919- |
|
|
son of Aaron Avshalomov |
| Leon Kirchner |
1919- |
American |
|
|
| Galina Ustvolskaya |
1919-2006 |
Russian |
|
|
| Mieczyslaw Weinberg |
1919-1996 |
Polish |
22 symphonies; 17 string quartets |
|
1920s
| Name |
Years |
Nationality |
Notable works |
Remarks |
| Geoffrey Bush |
1920-1998 |
British |
|
|
| Peter Racine Fricker |
1920-1990 |
British |
|
|
| Earl Kim |
1920-1998 |
Korean |
|
|
| Bruno Maderna |
1920-1973 |
Italian |
Satyricon (opera) |
avant-garde, electronic music |
| Harold Shapero |
1920- |
American |
|
|
| Malcolm Arnold |
1921-2006 |
British |
Symphony No. 5 and No. 7; English Dances; film music |
|
| Chaya Arbel |
1921– |
Israeli |
|
|
| Karel Husa |
1921– |
Czech |
|
|
| Andrew Imbrie |
1921–2007 |
American |
|
serialism, neoclassicism |
| Joonas Kokkonen |
1921–1996 |
Finnish |
|
|
| Ástor Piazzolla |
1921–1992 |
Argentine |
tangos |
|
| Ralph Shapey |
1921–2002 |
American |
|
|
| Robert Simpson |
1921–1997 |
British |
11 symphonies |
|
| Raffaello de Banfield |
1922–2008 |
British |
|
|
| Iain Hamilton |
1922–2000 |
Scottish |
|
|
| Kazimierz Serocki |
1922–1981 |
Polish |
|
|
| Iannis Xenakis |
1922–2001 |
Greek |
Metastasis |
avant-garde |
| Chou Wen-chung |
1923– |
Chinese/American |
Landscapes |
student of Edgar Varese |
| Karel Goeyvaerts |
1923–1993 |
Belgian |
Aquarius (opera) |
serialism, minimalism, postminimalism, mysticism, electronic music |
| György Ligeti |
1923-2006 |
Hungarian |
Atmosphères |
avant-garde |
| Peter Mennin |
1923-1983 |
American |
9 symphonies |
|
| Ned Rorem |
1923- |
American |
songs |
|
| Simeon ten Holt |
1923– |
Dutch |
Canto Ostinato |
minimalism |
| Joly Braga Santos |
1924-1988 |
Portuguese |
6 symphonies |
|
| Benjamin Lees |
1924- |
American |
|
|
| Luigi Nono |
1924-1990 |
Italian |
|
Avant-garde |
| Luciano Berio |
1925–2003 |
Italian |
Sequenza; Sinfonia |
Avant-garde |
| Pierre Boulez |
1925- |
French |
Le marteau sans maître; ...explosante-fixe... |
Avant-garde, serialism, aleatory |
| Aldo Clementi |
1925- |
Italian |
|
|
| Andrei Yakovlevich Eshpai |
1925- |
Russian |
|
|
| Julián Orbón |
1925–1991 |
Spanish/Cuban |
Three Symphonic Versions |
|
| Gunther Schuller |
1925– |
American |
|
jazz influence |
| Boris Tchaikovsky |
1925–1996 |
Russian |
4 symphonies |
|
| Mikis Theodorakis |
1925- |
Greek |
|
|
| Earle Brown |
1926–2002 |
American |
|
|
| Morton Feldman |
1926–1987 |
American |
|
|
| Hans Werner Henze |
1926– |
German |
10 symphonies |
|
| Lee Hoiby |
1926– |
American |
|
|
| György Kurtág |
1926– |
Hungarian |
|
|
| Franco Donatoni |
1927-2000 |
Italian |
|
|
| Donald Erb |
1927–2008 |
American |
Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra |
jazz-influenced, aleatory, electronic music, eclectic |
| John Joubert |
1927– |
British |
|
|
| Tadeusz Baird |
1928-1981 |
Polish |
|
|
| Jacob Druckman |
1928-1996 |
American |
|
|
| Nicolas Flagello |
1928-1994 |
American |
|
Neo-classicism |
| Robert Helps |
1928–2001 |
American |
|
|
| Ennio Morricone |
1928- |
Italian |
|
|
| Thea Musgrave |
1928- |
Scottish |
|
|
| Einojuhani Rautavaara |
1928- |
Finnish |
Cantus Arcticus; Symphony No. 7: Angel of Light; Piano Concerto No. 3: The Gift of Dreams |
Mysticism |
| Karlheinz Stockhausen |
1928–2007 |
German |
Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; Licht |
Avant-garde, electronic music, serialism, aleatory, world music, intuitive music, formula composition |
| Antonio Braga |
1929– |
Italian |
|
|
| George Crumb |
1929– |
American |
Ancient Voices of Children |
Extended technique |
| Edison Denisov |
1929-1996 |
Russian |
|
|
| Alun Hoddinott |
1929– |
Welsh |
|
|
| Kenneth Leighton |
1929–1988 |
British |
|
|
| Theo Bruins |
1929–1993 |
Dutch |
|
|
| Frédéric Devreese |
1929– |
Belgian |
|
|
| André Previn |
1929– |
German |
|
also a conductor |
| Henri Pousseur |
1929– |
Belgian |
Scambi; Votre Faust; Trois visages à Liège; Couleurs croisées |
serialism, aleatory, eclectic, electronic music, world music, popular music influence |
| Josef Anton Riedl |
1929- |
German |
|
|
| Bogusław Schaeffer |
1929- |
Polish |
|
|
| Peter Sculthorpe |
1929- |
Australian |
Kakadu; Earth Cry |
world music |
1930s
| Name |
Years |
Nationality |
Notable works |
Remarks |
| Cristóbal Halffter |
1930– |
Spanish |
Líneas y puntos; Don Quixote |
avant-garde, eclectic, electronic music |
| Theo Loevendie |
1930- |
Dutch |
|
|
| William Perry |
1930- |
|
|
|
| Tōru Takemitsu |
1930-1996 |
Japanese |
A Flock Descends into the Pentagonal Garden; Toward the Sea |
Neo-impressionism |
| Sofia Gubaidulina |
1931- |
Russian |
Offertorium |
|
| Derek Holman |
1931- |
|
|
|
| Mauricio Kagel |
1931-2008 |
Argentine |
Staatstheater |
|
| André Laporte |
1931– |
Belgian |
Das Schloss |
eclectic |
| Arne Nordheim |
1931- |
Norwegian |
|
|
| Ib Nørholm |
1931- |
Danish |
|
|
| Makoto Shinohara |
1931– |
Japanese |
Fragmente |
electronic music, influence of traditional Japanese music |
| Malcolm Williamson |
1931-2003 |
Australian |
|
|
| Wojciech Kilar |
1932- |
Polish |
Krzesany; Dracula (film music) |
Holy minimalism |
| Niccolò Castiglioni |
1932-1996 |
Italian |
|
|
| Alexander Goehr |
1932– |
English (German born) |
Behold the Sun Romanza for cello and orchestra |
twelve-tone, later modal, eclectic |
| Richard Meale |
1932- |
Australian |
Voss |
avant-garde |
| Per Nørgård |
1932- |
Danish |
7 symphonies; Voyage into the Golden Screen |
|
| Rodion Shchedrin |
1932- |
Russian |
|
|
| Gilles Tremblay |
1932– |
Canadian |
Sonorisation du Pavillion du Québec; Fleuves |
electronic music, serialism |
| John Williams |
1932- |
American |
Jaws (film music); Star Wars (film music) |
|
| Leonardo Balada |
1933- |
Spanish |
6 symphonies; concertos |
Avant-garde, later folk-influenced |
| Henryk Górecki |
1933- |
Polish |
Symphony of Sorrowful Songs |
Holy minimalism |
| Bo Linde |
1933-1970 |
Swedish |
|
Neo-romanticism |
| Krzysztof Penderecki |
1933- |
Polish |
Threnody for the Victims of Hiroshima; St. Luke Passion; A Polish Requiem; Symphony No. 2: Christmas |
Avant-garde, Extended technique, later Neo-romanticism |
| Yves Prin |
1933- |
French |
|
Neo-impressionism |
| Harrison Birtwistle |
1934- |
British |
The Mask of Orpheus |
|
| William Mathias |
1934-1992 |
Welsh |
3 symphonies |
|
| Peter Maxwell Davies |
1934- |
British |
Eight Songs for a Mad King; 8 symphonies |
|
| Alfred Schnittke |
1934-1998 |
Russian |
10 symphonies |
Polystylism |
| Giya Kancheli |
1935- |
Georgian |
7 symphonies |
Holy minimalism |
| Helmut Lachenmann |
1935- |
German |
Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern (opera) |
extended technique |
| François-Bernard Mâche |
1935- |
French |
|
|
| Nicholas Maw |
1935- |
British |
Odyssey; The World in the Evening |
|
| Arvo Pärt |
1935- |
Estonian |
Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten |
Holy minimalism |
| Terry Riley |
1935- |
American |
In C |
Minimalism |
| Aulis Sallinen |
1935- |
Finnish |
8 symphonies; The King Goes Forth to France (opera) |
|
| Peter Schat |
1935–2003 |
Dutch |
|
|
| La Monte Young |
1935– |
The Well-Tuned Piano |
minimalism, microtonal music, improvisation, Asian-music influence |
| Gilbert Amy |
1936– |
French |
|
serialism, film music, electronic music; also a noted conductor |
| Richard Rodney Bennett |
1936- |
British |
|
|
| Cornelius Cardew |
1936–1981 |
British |
Treatise; The Great Learning |
serialism, improvisation, aleatory |
| Frans Geysen |
1936– |
Belgian |
Periferisch-Diagonaal-Concentrisch; Twee orgels |
twelve-tone technique, minimalism, atonal |
| Steve Reich |
1936– |
American |
Piano Phase; Music for 18 Musicians |
Minimalism |
| Aribert Reimann |
1936– |
German |
|
|
| Osvaldas Balakauskas |
1937– |
Lithuanian |
5 symphonies; concertos |
|
| Azio Corghi |
1937- |
Italian |
Divara - Wasser und Blut (opera) |
|
| David Del Tredici |
1937- |
American |
Child Alice |
|
| Philip Glass |
1937- |
American |
Violin Concerto; operas; 8 symphonies |
Minimalism |
| Walter Hekster |
1937- |
|
|
|
| Nikolai Kapustin |
1937- |
Russian |
|
|
| Bo Nilsson |
1937- |
Swedish |
|
|
| Valentin Silvestrov |
1937- |
Ukrainian |
Symphony No. 5 |
|
| Yehuda Yannay |
1937- |
|
|
|
| Gregory Short |
1938-1998 |
|
|
|
| Bart Berman |
1938- |
|
|
|
| William Bolcom |
1938- |
American |
Songs of Experience; Songs of Innocence |
|
| Gloria Coates |
1938- |
American |
Music on Open Strings; 15 symphonies |
|
| John Corigliano |
1938- |
American |
Symphony No. 2; A Dylan Thomas Trilogy; The Red Violin (film music) |
Polystylism |
| John Harbison |
1938- |
American |
|
|
| Lorenzo Palomo |
1938- |
Spanish |
Andalusian Nocturnes |
folk-influenced |
| Dianne Goolkasian Rahbee |
1938- |
American |
|
|
| Frederic Rzewski |
1938- |
American |
The People United Will Never Be Defeated! |
|
| Joan Tower |
1938- |
American |
Concerto for Orchestra |
|
| Jan Vriend |
1938- |
Dutch |
|
|
| Charles Wuorinen |
1938- |
American |
Time's Encomium; 8 symphonies; chamber music |
Serialism |
| Louis Andriessen |
1939- |
Dutch |
|
son of Hendrik Andriessen |
| Wendy Carlos |
1939- |
|
|
|
| Heinz Holliger |
1939- |
Swiss |
Schneewittchen (opera) |
|
| John McCabe |
1939- |
British |
|
|
| Tomas Svoboda |
1939- |
Czech |
|
|
| Boris Tishchenko |
1939- |
Russian |
7 symphonies |
|
| Ellen Taaffe Zwilich |
1939- |
American |
4 symphonies |
|
1940s
|